Beyond the Screen at Televerse
At this year’s 2026 Televerse, director Hanelle M. Culpepper spoke about her connection with Sterling K. Brown and how he ultimately helped bring her into the Paradise family.
At this year’s 2026 Televerse, director Hanelle M. Culpepper spoke about her connection with Sterling K. Brown and how he ultimately helped bring her into the Paradise family.
Director Hanelle Culpepper felt deep gratitude for the honor of being recognized by her peers – including filmmakers whose work she has watched, admired, and learned from over the years.
In responding to directing a massive episode like the Paradise finale, Hanelle Culpepper says, “…With “Exodus,” my goal was to do something that took the audience on a ride as great as that one, and it was bigger than my others. Episode 106 had suspenseful moments, but this took it to a whole new level. Paradise hits my sweet spot because I’m a director who is strong at building these immersive worlds that genre requires, but always keeping the emotional journeys of the characters as important as the suspenseful pieces, because ultimately that’s what keeps the audience invested and wanting to keep watching. “
YOUTUBE INTERVIEW: Director Hanelle Culpepper and VFX Supervisor John Weckworth discuss the ins-and-outs of both the poignant and action-packed visual effects in Season 2 of Paradise.
YOUTUBE INTERVIEW: Emmy-nominated directors Hanelle M. Culpepper (‘Paradise’) and Randall Einhorn (‘Abbott Elementary’) reveal the things they do and don’t say to actors so they achieve the desired performance onscreen.
I was going into prep for Paradise, and as I was walking into the production office, there’s a little alcove,” Culpepper recalled. “I heard them saying my name, and I walked in — I don’t know what my face looked like — but they were like, ‘It’s all good. It’s all good. You were nominated for an Emmy.’
Culpepper said that her first reaction was disbelief. “I’m like, ‘That’s AI,'” she said. “And they’re like, ‘No, it’s not.’ And I burst into tears and was like, ‘I have to call my husband.'”
The follow-up call didn’t go much smoother. “I called my husband, and I said, ‘I got nominated for an Emmy.’ And he’s like, ‘What?’ He made me say it five times! I was thinking, why doesn’t he believe me? Later on I found out — he told me, ‘You were crying so hard, I thought someone had died.'”
Culpepper said the honor means something bigger than her own career. “As a woman director, as a person of color directing, you always want to continue to open the door for people to come through,” she said. “When you get this, you’re like, ‘Okay, great, let’s open that door a little wider so we can have more of us come through.'”
Elsewhere during the panel interview, director Hanelle Culpepper thanked Brown for introducing her to Fogelman and suggesting her as a director for the series. “I just wanted to say thank you to Sterling so much because he is the reason I am here,” Culpepper said. “He is the one who told Dan Fogelman and the producers, ‘You all should meet her. I think she’d be great.’ And so, he brought me into this family and has changed my life.”
For the Season 2 finale of Hulu’s Paradise, the end of the world had to feel massive without losing sight of the people caught inside it. In “Exodus,” director Hanelle Culpepper and visual effects supervisor John Weckworth brought down the carefully constructed world of Paradise, while deliberately echoing the visual language of the series’ pilot.
This panel features 2026 Emmy-nominated directors Hanelle M. Culpepper (‘Paradise’) and Randall Einhorn (‘Abbott Elementary’), moderated by Jazz Tangcay, Variety. This interview is part of The Business series, an essential resource for actors, featuring industry professionals sharing their insights, experiences and craft.
Emmy-nominated director Hanelle M. Culpepper tells IndieWire about how to make a sci-fi season finale feel complete.
