“I wanted it to feel inspired by where Picard was on his emotional journey. He was living in a vineyard; he felt trapped. So I wanted to have a little bit more of a static frame, and then go handheld once his world is rocked [in the pilot]. We switch to handheld cameras pretty much […]
I said “if I want to be a director, I need to direct!” so I stopped working full-time and embraced that I would be a starving artist and started directing. I remember that day when I stopped working full-time and became a starving artist was April Fool’s Day, and I was like, “ok, hopefully this […]
“Picard” is the first “Trek” series in decades to advance the story forward (as opposed to prequels that explore events that took place long before “The Next Generation”), and it has quite an awards legacy to live up to.
Each CBS All Access series has now carved out its own independent timeframe (with seemingly little room for Marvel-style crossovers). Picard occupies the twenty-fourth century, and with Discovery disembarking for the thirty-second century, Strange New Worlds has the twenty-third to itself. Stylistically, director Hanelle Culpepper shot the Picard pilot in warm colors to contrast the bluer hues […]
“Picard” director Hanelle M. Culpepper understands that mindset: “I’m prepared and have a story reason for any change I make. I try to knock it out of the park with any job I take, so I’m never the excuse someone uses not to hire a person of color or a woman as a director.”